5–8 day turnaround. Firm in-hand date guaranteed.

How our turnaround works

Your in-hand date starts the clock from proof approval — not from when you place the order.

Once you approve your proof, standard production is 5–8 business days to anywhere in Australia and New Zealand. That’s a firm date, not an estimate.

Express available

If you have a hard deadline, tell us before you order. We’ll work backwards from your date — not the other way around.

Next-day delivery exists

We’ve done it. It requires lead time on our end, not yours — so the earlier you tell us your deadline, the more options we have.

Colour accuracy

Pantone-matched colour proofs are available on screen print orders. For colour-critical work, we provide Pantone references so there’s no ambiguity between your screen and the final garment.

The rule

Nothing goes to print without your written approval. What you approve is what you receive.

Inside @deca_nordic's Snapback and Tee Drop

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Inside @deca_nordic's Snapback and Tee Drop
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Inside @deca_nordic's Snapback and Tee Drop

By Jordan TranDec 13, 2025

@deca_nordic is a Swedish-based outdoor and lifestyle brand that built its audience through Instagram — clean photography, authentic content about hiking, surfing, and the outdoor life, and a consistent aesthetic that made their feed feel like a curated magazine rather than a personal account. When they approached Printwear for their first merch drop, they knew their audience, they knew their aesthetic, and they had a clear idea of the product they wanted. What they needed was production that could match the standard their visual identity had established.

The brief

The brief was specific: a snapback cap and a short-sleeve tee, both in a colour palette drawn directly from their Instagram aesthetic — bone, washed black, and a deep forest green. The decoration needed to feel considered, not promotional. They cited the tone-on-tone embroidery on the cap as something they'd seen from Californian outdoor brands and wanted to bring to Australian production. The tee design was a single-colour chest print — a simple mountain silhouette in a style consistent with their graphic language.

The product brief was tight and clear. That clarity — knowing exactly what they wanted before the first conversation — was a significant part of what made the production process smooth.

The cap

A Richardson 112 structured snapback in washed black with tone-on-tone charcoal thread embroidery of the Deca Nordic wordmark. The Richardson 112 is a well-specified blank — a slightly more curved brim than many alternatives, a comfortable sweatband, and consistent quality across production batches. It's popular in the US outdoor and streetwear market and less common in Australian production, which gave @deca_nordic a point of differentiation from brands using more standard local options.

The tone-on-tone execution required careful thread selection — charcoal on washed black, dark enough to provide structural definition but light enough to create the subtle raised texture rather than a high-contrast embroidery. A stitch-out was produced and approved before full production. The final result photographed exactly as they'd hoped: a cap that reads as clean and simple in a full shot, and reveals its craft in a close-up.

The tee

An AS Colour Heavy Tee in bone with a single-colour chest print — the mountain mark — in a warm grey. Water-based ink was specified deliberately: the soft hand feel was consistent with the premium basics positioning, and the slightly muted, vintage quality of the water-based result suited the earthy, worn-in aesthetic they were going for.

The placement was slightly higher than the standard left chest position — a conscious design decision to give the print a more editorial, less corporate feel. Small adjustments to placement can significantly affect how a design reads on a garment, and @deca_nordic had the design awareness to make this call in the brief rather than defaulting to convention.

The launch

@deca_nordic launched on Instagram with a combination of flat lay product shots (which they produced themselves using the natural light and clean surfaces their account is known for) and lifestyle shots of the products in the environments — a hike, a beach morning — that their content usually depicts. The product felt native to their account rather than like an external product insertion.

The drop sold through 80% in the first 48 hours. The cap sold faster than the tee — consistent with the general observation that caps have high purchase intent in outdoor and lifestyle audiences, where headwear is part of daily kit. A restock of the cap followed within six weeks.

The lesson

@deca_nordic's success came from treating their merch drop with the same creative rigour they applied to their content. The product selection, the blank choices, the decoration techniques, the colourways, the photography — all of it was considered against the question "does this fit the brand?" rather than "what's the easiest thing to produce?"

That rigour doesn't require a big budget. It requires a clear brand identity and the discipline to make product decisions in service of that identity rather than in spite of it.

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