5–8 day turnaround. Firm in-hand date guaranteed.

How our turnaround works

Your in-hand date starts the clock from proof approval — not from when you place the order.

Once you approve your proof, standard production is 5–8 business days to anywhere in Australia and New Zealand. That’s a firm date, not an estimate.

Express available

If you have a hard deadline, tell us before you order. We’ll work backwards from your date — not the other way around.

Next-day delivery exists

We’ve done it. It requires lead time on our end, not yours — so the earlier you tell us your deadline, the more options we have.

Colour accuracy

Pantone-matched colour proofs are available on screen print orders. For colour-critical work, we provide Pantone references so there’s no ambiguity between your screen and the final garment.

The rule

Nothing goes to print without your written approval. What you approve is what you receive.

What NZ Creators Need to Know About Sourcing Merch From Australia

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What NZ Creators Need to Know About Sourcing Merch From Australia
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What NZ Creators Need to Know About Sourcing Merch From Australia

By Jordan TranAug 04, 2025

New Zealand creators and labels have a strong domestic production base — AS Colour (a NZ company) is widely available locally, and there are capable decorators in Auckland and other centres. But Australian suppliers offer access to decoration techniques, blank ranges, and production capacity that NZ-local options don't always match. Working cross-Tasman is worth considering, and worth understanding properly before you commit to an order.

When Australian suppliers make sense for NZ creators

Australian suppliers are worth engaging when:

  • You need a decoration technique that's not well-served by NZ-local decorators (water-based discharge printing, specialist DTF, sublimation on specific substrates)
  • You're ordering at a volume where Australian pricing, even with freight, is competitive
  • You're sourcing a specific blank or product that's more readily available in Australia
  • You're working with an Australian-based production partner who manages the decoration and logistics as a service

When NZ-local makes more sense:

  • Standard decoration (screen print, embroidery, DTF) where NZ decorator quality is strong
  • Small runs where freight cost is disproportionate to order value
  • Time-sensitive orders where freight transit time creates unacceptable risk
  • When you want to support local production

Freight costs and timelines

Standard airfreight from Australia to NZ: 3–5 business days, typically $40–$100 for a standard creator merch order (20–50 units). Express freight: 1–2 business days at higher cost. Sea freight: 10–20 business days, much lower cost — viable for large orders with sufficient lead time.

Factor freight into your total cost of goods calculation before comparing Australian and NZ-local quotes. At $80 freight on a 50-unit order, that's $1.60 per unit in additional cost — manageable, but real.

GST and customs

Goods imported into New Zealand from Australia may be subject to NZ GST (15%). For commercial imports (business-to-business transactions), GST is generally collected at the border for shipments over NZD $1,000. For smaller shipments, the importer may need to self-assess. If you're GST-registered in NZ, you claim input GST back — it's a cash-flow consideration rather than a final cost.

Australian GST should not apply to goods exported to NZ — a reputable Australian supplier will understand this and invoice correctly (zero-rated for export). If you receive an invoice from an Australian supplier with Australian GST applied on an export order, query it.

AS Colour in NZ

AS Colour is a New Zealand company with strong local distribution. For standard AS Colour blanks, there's no inherent advantage to sourcing from Australia — NZ decorators have access to the same product range, the same colourways, and the same quality. Where Australian suppliers sometimes have an edge is in holding larger stocks of specific styles and colourways that may be temporarily out of stock locally, or in the breadth of decoration capability they can apply to those blanks.

Finding the right Australian partner

Working with an Australian decorator as a NZ creator works best when there's a clear relationship — a decorator you've worked with before or that comes recommended by someone whose judgement you trust. The cross-Tasman dynamic means you can't easily visit the facility, check samples in person before production, or resolve problems face-to-face. Strong communication and documented specifications become more important than in a local relationship, not less.

Request samples before committing to a production run. Specify Pantone references for all colours. Define approval checkpoints (stitch-out, pre-production sample) before production begins. These are good practices with any decorator — they're essential when you can't be physically present to check things in person.

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